Showing posts with label rock music. Show all posts
Showing posts with label rock music. Show all posts

Corporate Rock Music is Terribly Boring - Fuji Rock is For Old People - Had Kenny Rogers Been Born 20 Years Later, He'd Be a Rock Musician and Probably Appearing at Fuji Rock

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Rock music, for the most part, is totally and completely boring. No wonder many young people under 35 don't listen to it. Today's corporate Rock music is for old people.


Average Fuji Rock fan


I just saw the news release for this year's artist line up at Japan's famous summer festival, Fuji Rock. May I say, "Boring!" No. Make that BORING! B-O-R-I-N-G! There's not one new and exciting artist on the top lineup at all... Here's the announced line up for Fuji Rock 2012 so far:


Beady Eye (Oasis retreads - Oasis were OK 20 years ago)
Elvis Costello and the Attractions (Loved Elvis... in 1979!)
Stone Roses (Loved them in the 80s & early 90s - but that's more than 20 years ago)
Radiohead (Ditto to above)
Jack White (White Stripes, Dead Weather, ho hum... At least Dead Weather has been in the last decade)
The Specials (Loved them - When I was a university student)
Buddy Guy (Buddy Guy? Wait! What?) 


I said there were no cool new artists on the bill, but I take that back. Galactic is playing. Galactic is cool. Galactic is relatively new and doing something fresh with music.


Galactic - Heart of Steel


But that's about it; Galactic. 


Look, I like(d?) rock music as much as the next guy but this playing old artists all the time is just killing rock music (it's already dead?) I certainly loved Elvis Costello and the Attractions. I went to see them in 79 (or was it 80?) in Santa Barbara. The Specials, Stone Roses? Sure. A long time ago. I even saw Buddy Guy play at a 300 person venue in Shibuya called Club Quattro in the late 80s...


I know that Fuji needs to draw an audience and I know that older people are the ones that have the most money, but Jeez Louise, how about at least trying to propagate new artists and new music for the future? There's tons of good new artists... How about playing one or two of them? 


I liked these other artists that Fuji has lined up. I've played them all on the radio - a lot. Still do sometimes. But there's no way I am going to pay $1000 USD to spend a weekend with my girlfriend at Fuji Rock watching artists that should be playing in cozy 500 seater venues in downtown Tokyo. Especially since the sound at outdoor festivals is terrible and seeing any band at Fuji Rock is about as fun as lining up at Disneyland for an hour and a half just to ride Dumbo for two minutes. 


No thanks.


With a boring line up of old artists that they have set up for this year's Fuji Rock, I'm surprised The Who aren't playing. At least with the Who, you know you'll be getting a tired band on stage that hasn't written any new songs in 35 years. No surprises there...


♫ People try to put us down... 
Talking about our ge...ge...geriatrics ♫


I'll make a prediction here: 


No more Fuji Rock in 15 years. They can't survive. At this rate their average audience will be on Social Security by then.


With this type of line up, the Fuji Rock fan appeal is, let me put this nicely (or as Spinal Tap's Ian Faith would say) "the band's appeal is not waining... it's becoming 'more selective.'" 


Yeah, more selective to people over 45-years-old... Or is that exaggerating? OK. More selective for people over 55!


I'm not a particularly big fan of Katy Perry, Lady Gaga, Kelly Clarkson or Adele (actually Adele is okay) but at least these artists appeal to people under 30. The Fuji Rock lineup? What? Is this designed for the geriatric crowd? 


Maybe this year's Fuji Rock can get sponsorships from companies that make and sell products that do things like lower cholesterol levels or other companies that sell adult diapers or medicine for constipation.


Oh, did I mention that Fuji Rock's lineup this year is boring?


I also have Kenny Rogers's name in the title of this article. Most people know who Kenny Rogers is. Kenny Rogers is a very famous country music artist in the USA. He might even be the most famous country music artist in history. He has had more than 120 hit singles in his career. What Michael Jackson was to Pop Music, Kenny Rogers was to country music.


But one thing many people don't know was that, at the start of his career, Kenny Rogers was the lead vocalist for a late sixties psychedelic rock band named the First Edition. In fact, the First Edition was a famous group that had several smash hits - on the pop/rock and country music charts in the sixties psychedelic era! 




Kenny Rogers' band, the First Edition was formed in 1967 and broke up in 1976. It was then that Kenny Rogers made an important career decision: He dropped pop and rock music for a career in country music because of his age. He thought that rock music was music for young people (it was) and at his age, if he was going to continue in music, he'd have to go the route of country music that found it acceptable to have older artists. Rock was a young person's arena. Country and Western had many popular artists who were in their late sixties, like Ernest Tubb, and some, like Earl Scruggs, who is in his eighties and still performing country music today!  


Too bad for Japan's rock music fans that Kenny Rogers quit pop and rock music for a career in country. Now, at his ripe old age of 74 years old, Kenny would fit quite well on the main stage of Fuji Rock....


In fact, Kenny wouldn't even be the oldest one to perform on stage if he were invited to Fuji Rock this year. That would be reserved for Buddy Guy, who is two years older than Kenny Rogers.


Fuji Rock? My what a cool and cutting edge lineup up... If you were born in the 1950s. Pretty soon they'll be having to give senior citizen's discounts for Fuji Rock.


Don't forget to get in line for that... Oh and don't forget, senior citizens get a 20% discount.

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Lady Gaga, Coldplay and Other Western Artists are Minor in Japan

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This column is about Japanese Rock stars versus Western Rock Stars in Japan. It was inspired by my friends Allison Sane and JP Valentine. The premise is that, in spite of the hype and hoopla in the western press, USA and UK artists have seriously fallen out of their position of "Most Favored" in Japan (and China and elsewhere in Asia). That's what this post is about.


Allison had asked me if Eric Burdon was "big" in Japan. I replied that he was in the sixties, but not now. That's not to say that Eric Burdon doesn't have fans in Japan, he does. But, over these last fifteen years, whether it's Eric Burdon or not, (or any other modern western pop star) sales of albums from US and UK artists, and in turn their popularity, have dropped off a cliff. Western artists are just not the draw or as popular as they were a few decades ago. 


Eric Burdon today might be able to do some shows in Tokyo but drawing more than a few hundred people is highly questionable. Expensive dinner show is more practical and profitable for this type of artist in Japan.


The biggest (and worse sounding) venue in Japan is the Tokyo Dome. Performing there is considered the pinnacle of success for an artist. I hate concerts at the Tokyo Dome. The sound is terrible (like all large venues). The dome roof is kept up like a big balloon so the sound reverberates around the dome and it sounds like you are listening to a concert inside of a canyon. Heck, you are. The place holds 54,000 people.


The last big western artist who could come to Japan and quickly sell out a few nights at Tokyo Dome was Michael Jackson at the height of his popularity in the early nineties. Madonna has played there. The Backstreet Boys have. I saw David Bowie with Adrian Belew in 1990 at the Tokyo Dome. David Bowie was the last time I went there to see a concert that I actually wanted to go to. I had tickets in the eighth row right in front of the stage and Bowie was 20 yards in front of me. He could have been a mile away. The echo was so bad it sounded like he was singing inside of an airplane hanger.


But that was a long time ago. Very few western artists can come to Japan anymore and sell out the dome even for one night. Most today don't even try. Coldplay certainly couldn't do it. They played at Saitama arena last time which holds 37,000 maximum. The Tokyo Dome is just out of reach for western artists today. 


In fact, I don't think there are any bands in the entire world (excepting, perhaps a Rolling Stones reunion) that could sell out a few days at Tokyo Dome these days. Aerosmith is playing there next week, for one night, but they are having a hard time selling tickets and will be lucky to sell out the arena seats on the first floor.


Their popularity isn't what it used to be so I imagine they don't ask for green M&M's anymore. But, I also imagine that Aerosmith insists upon playing there because Steven Tyler is so insecure that he needs to say "We're playing the dome" because perhaps he's afraid of meeting Nigel Tufnel in the lobby.


Really good Japanese rock bands don't become famous in this country


As an aside, I once interviewed Aerosmith and I said to Steven Tyler, "I go back with you guys since high school. I have all your records. My question is which one of you guys was wearing the makeup as the cat? Which one of you had the star on your eye and which one had the long tongue?"


Tyler got pissed off for a second but Joe Perry and the other guys laughed. It think it was the first time in history that a TV interviewer got Aerosmith to sing the Kiss song, "Rock and Roll all Night" on national TV. 


Later I overheard Perry tell his manager, "Now THAT'S the kind of interview we want to do in Japan!" I'm sure he said that because Japanese interviewers always ask dumb questions about what is their favorite food or color.


But I digress....


I'm sure they'll be giving away lots of Aerosmith tickets to industry related people just to try to fill the place.



Boowy at Tokyo Dome.  This band, Boowy, if they got back together, could sell out a week at the Dome in a few hours


But when it comes to Japanese artists, playing in their home turf, it's a completely different story. You might think that major Japanese artists all suck and I might well agree. But I will add that they suck no more or less than most big western (especially Top 40) artists! But no one can sneeze at Japanese bands that can sell out an entire week at the Tokyo Dome. And the list of bands that do is long.


Just a few weeks ago, I went to see Complex who sold out two nights in a row at Tokyo Dome. Complex is Hotei Tomoyasu and Koji Kikkawa. They sold out two nights a short while back and donated all the money to charity! So laugh all you want. These guys are not a joke.


Do the math. Let's see: ¥9,800 a ticket times 54,000 people equals: ¥529,200,000. This amount of yen at today dollar rate (¥76.91 yen to $1 USD) equals: $6,880,769.00. Now take that times two and you have over $13 million dollars for two nights performance. (Please someone double check this math. I've done it over and over and still come up the same. It's astounding to me this number... But Muhammed Ali got $5 million dollars for a 45 minute fight with Joe Frazier in 1975, so I guess this is correct. If I am wrong, please comment!)


Now imagine a bunch of other Japanese artists who can do this for an entire week straight! The top bands in the west? Nope. One night, maybe. Like I said, there's not a western artist in the world today who could do that excepting a Rolling Stones reunion, maybe. They might be able to pull off two nights, but not three.


Complex at Tokyo Dome - Total David Bowie ripoff? yes. But the fans don't care. And David Bowie doesn't sing in Japanese.


For many years, Japan and Japanese rock stars have had an inferiority complex towards western artists as they deservably should have. But nowadays, things have changed in Japan. And, when they can make this kind of money playing in Japan - and never make near that amount in the west - all the while western artists come here to make big money - why bother going to play in the USA?


Sure, the big name artists still dream of becoming big in the west too, but the west doesn't hold the allure it once did for people. And that's not just people in Japan, but, I think for people all over the world.


Sure, some dream of Hollywood and New York, but when it comes to the big name Japanese artists (who don't sing in English anyway) it's no longer practical to even consider trying to break into the USA market... Most certainly isn't profitable.


These big name Japanese artists can stay at home, in their comfy chairs, and copy the western artists that they are inspired by and make those musicians' music their own. 


The domestic audience doesn't know the difference.

Glay at Tokyo Dome 2005. Massive in Japan. They suck, but were fans of my radio show, so that's OK.... But they still suck.


NOTE: It might sound like I am dissing these Japanese artists or even Aerosmith, but I am not. When anyone can sell their music and become professionals, regardless of how crappy I might think their music is, that is to be respected. After all, who cares what I think and isn't everyone a music critic?

Playing music and actually getting paid to do so is great. Getting paid very well to do so is the dream of a lifetime.

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Japan's Best and Sexist Girl's Rock Band's (Nov. 2011)

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It's a Sunday and I have friends coming over for massive drinking and a barbeque. That means I'm pretty booked with sheet to do.


Kinoko Hotel


Nevertheless, here's a blog post that I've wanted to write for quite a while. There are lots of people who think Japanese rock bands suck. Most of them do. But, strange as it may seem, there are lots of really good Japanese rock bands, it's just that they never get hugely popular in this country as Japan is obsessed with stupid crap like AKB48 and girls doing soft porn video.


AKB48 are terrible. Anyone who buys their CDs should be shot (to put them and the rest of us out of our misery).


But, like I said, there are many good Japanese rock bands. Especially sexy girls bands... And there's also a very cool Retro thang going on here that I really like... Oh, and by the way, the best Japanese bands don't sing in English because they don't give a sh*t about the American Top 40... You shouldn't either... I mean, why would any good band want to be like Lady Gaga or Madonna anyway? 


For your Sunday viewing pleasure, here are several. First two up from my current favorite Japanese girl's band (I change favorites weekly)...Enjoy!


Kinoko Hotel - Fool




Kinoko Hotel - Midnight Angel Baby:

Molice - Ms. Panic


The Milkees - Lovelever:


Red Bacteria Vacuum - Roller Coaster:


Thee 50's Highteens - Surprise Sun:


The Let's Go's! - Rock & Roll Star:


Who the Bitch - Summer:

Hell, seriously, there's a lot more! I'll be posting about them too soon. Stay tuned!


Thanks to Ken Nishikawa and George Williams who has the Top 5 countdown online every week.



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Rock and Roll With The Bloomfields at SM Davao 2011

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The Bloomfields, Davao City, SM, Shoe Mart, The Beatles, The Beach Boys, Music, Concert, Free, Davao Delights

The Bloomfields will be at SM Davao this September 11, 2011. The Bloomfields established itself with a repertoire with hits of The Beatles and The Beach Boys. As they recreate the rock music of the 60's and 70's their signature fresh and bubbly music, they are sure to leave their audience with amusement and a feeling of positive vibes.


The Bloomfields is composed of Rocky Collado, Lakan Hila, Louie Poco and Dino Pascual. The group have recently released their 2nd album, "Hit The Ground Running", featuring all 10 original compositions available in all SM Stores Nationwide.


The band, being composed of young charismatic men, advocated for the improvement of the quality of life of those with speech and hearing impairments - their very own special audience who appreciates their music in s special ways.


Catch the music of Bloomfields live at SM Davao Event Centre on September 11, Sunday, 4PM.

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